What excited me about photography was the prospect of using it to create abstract and impossible images.
I used portraiture as a means of getting to know my subjects and practicing the use of my camera but I always had the most fun compositing and editing images to make something a little more odd

Surreal portrait of a young, curly-haired woman with yellow[ed] skin. Studio lighting. Parsons School of Design, NYC. Shot on Sony A7II
Surreal photo composite of a man multiplied in a classroom. Pensive and contemplative. Studio lighting. Parsons school of design, NYC.
Surreal photo composite of a black woman with her back to the camera. her shadow looks as though it her hands should be in here hair but they are not. Studio lighting. Parsons School of Design, NYC. Shot on a Sony A7II
A surreal composite of a black woman peering into a metal vase while various objects float around her. Studio lighting. Parsons School of Design, NYC. Shot on Sony A7II
Photo composite of woman multiplied. One of her clones is holding a knife. Another of her clones is clapping, looking joyful. The third seems to be pale and motionless
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Body As Landscape
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Cinemagraphs